THE AKEDAH OF ISRAEL Second Day Rosh HaShanah 5764 September 28th, 2003 Introduction It is always precarious to write a sermon about Israel as events may occur that eclipse or undermine my thoughts and words. It is also difficult for me to preach about Israel. I have a natural feeling of solidarity and love for Israel. Being a Jew in Israel is the only normal place in the world. It is the only country in the world that will protect Jews because we’re Jews. Yet I don’t perforce agree with every political decision made by any government—Sharon, Barack, Netanyahu or Rabin. Today I wish for you to leave here with a deeper passion for the people of Israel and their struggle. I hope that you will use the connection created by the Federation program P2K to make personal relationships with the people of the region Emek Hefer and close the gap that has opened between us. We are Am Ehad—one people, wherever we are. Today I reflect on Israel through the prism of the Akedah—The Binding of Isaac, today’s Torah portion. ContentI.The plot of the Akedah is simple. In an undetermined time God informs us, the readers, that He is going to test Abraham. Abraham is not aware of this condition. In a series of changing clauses, ever deepening the place of Isaac in Abraham’s life, God commands Abraham to go to the land of Moriah and offer Isaac as a burnt offering on an unspecified mountaintop. He immediately follows the command, splits the wood, and leaves. Three days later he sees the place and ascends with Isaac carrying the wood, while he carries the firestone and knife. Isaac asks the obvious question: “Where is the sheep for the sacrifice?” Abraham avoids answering by saying, “God will provide the sheep, my son.” Only we, the readers, know all the secrets. Abraham only knows that Isaac is the intended sacrifice. Isaac only knows to obey. They go on together in the most amazingly powerful scene. While the Torah omits this detail, Isaac had to watch his father build even a rudimentary altar. He then allows himself to be bound He watches his father’s hand raised with the knife, when an angel of the Lord interrupts the scene calling, “Abraham, Abraham’” and terminates the test. The story closes in a puzzling way, saying that only Abraham returned to his servants and home to Beer Sheva. II. I have a lot of questions to ask about the Torah’s text.
While usually translated as “events,” “davar,” it can also mean, “words,” Therefore it can begin, “After these words God put Abraham to the test.” What words?
We must personalize this drama. It is a present tense scene played out on today’s stage, not just long ago. If we do, we will share in the heartbreak of the Biblical story as well as these days in Israel. Then we will feel as one—an unseverable unity, and indissolvable bond between us here and them there. Maybe there will no longer be a “them” and “us”, a “here” and “there.” There will be a bond that transcends and unites us all and always. III. I made up the answers to the questions that I posed. I apply the Biblical passage of the Akedah to the life today of the people of Medinat Yisrael. 1) After what words? Rashi cites two traditions recorded Rabbinic literature. These were words either by Satan against Abraham or by Yishmael against Isaac questioning their allegiance to God and their integrity. The Akedah is their proof and rebuttal. Not one day goes by today without someone, some place—the Europe Economic Union or the United Nations or some dictatorship in the world questioning Israel’s right to live, never mind to secure borders, free from terrorism and at peace. Israel’s test is not a test after a specific event. It is a test incurred daily.
IV. At the end of the scene, Abraham returns alone. Where is Isaac? The Midrashim and commentators offer many explanations. One shocking answer is: he really died there on the altar. The angels’ intervention came too late. This is a difficult answer considering that Isaac will show up in later chapters. Leaving that aside, the answer speaks a truth. Not everyone returns. There is a price to pay in human terms, in pain and suffering and tears to have Medinat Yisrael. The world media does not show the suffering of the Jews of Israel, of the hundreds and thousands severely, gravely and brutally wounded, besides the dead. Whether in military service or studying at Hebrew University, or sipping coffee in an Emek Refaim coffee house in Jerusalem. The Midrash is true. In a sense, Isaac died on the altar. Then and now. Let the world media tell this story! Let them show these tears! Let them show the broken and shattered lives of Israel’s children and their parents! Ending The Akedah of Isaac, the binding of Isaac, is the perfect parallel for Israel’s condition today. I have written these words to personalize that which no one else will tell you, that which the world media won’t write and won’t show. I seek to endear to each of us, that part of our family, the Jews of Medinat Yisrael who face the daily test of living with bravery, courage, and grace. We need to cry both hidden and revealed tears upon hearing of the tragedies of downtown Yerushalayim and Emek Refaim. We must be shaken from our complacency and the sense of distance. Little gestures can mean so much. Buy Israeli products. Be brave! Visit Israel on vacation. Advocate for Israel. Become members of the organizations that represent Israel. Never can so many do such little things that mean so much. We must pray with all our might that the sounds of the shofar will ascend on high and somehow move the heavenly spheres that peace, a real, true, and everlasting peace will occur. Hashtah bagalah u’vizman kareev. Speedily, quickly, in our day. I close these words by citing a poem titled “The Dancing Lass of Anglesey, from Scottish lore.It was published by the Southern Poverty Law Center, Fall 2002. The Dancing Lass of Anglesey A Tale of Scotland Listen, my friends, to a tale of the time when battles were fought, and yet none would be killed! The victor was chosen by dancer’s skill and not by the measure of most blood spilled. In Scotland long ago, a king was ashen pale with fright. He trembled to think that fifteen men would claim his lands that night. They were coming to dance his lands away., with pounding steps and graceful sway. Each was a dancing champion with steps so firm and strong that none of the king’s own champions could dance as fine or long. “I’ll lose my gold. I’ll lose my lands,” the king worried and wrung his hands. “I cannot gain the victory unless I find the lass from Angelsey. None can dance as well as she.” He sent north and south and east and west to find the one who danced the best. “Go forth, my Lords, and bring to me The Dancing Lass of Anglesey. They say she dances time away till flowers bloom and wheat crops sway, till everything dies and fades away, till nothing can stand anymore. She dances the seasons, she dances the time, she dances the tides, the ageless rhyme. With delicate feet she keeps the beat till none can stand anymore. She’ll dance them to the floor.” Well…they found her on a distant hill and brought her before the king. “If you’ll dance for me,” he said, “I’ll give you anything. I’ll give you a mill and lands,” he said, “and my bonniest knight for you to wed.” She replied, “I’ll take your mill. I’ll take your land. I care not for a knight to take my hand. So keep your bonny boy…I’ll dance just for the joy.” And so came them all To the great king’s hall, And she danced them One by one. With delicate feet she kept the beat Til none could stand anymore. She stepped, she twirled in a dancer’s world, Till they lay in a heap on the floor. When the fifteen knights were all undone, She danced the king’s men one by one. And then she took the king And danced him to the floor. She leapt about the heap of men, Who could not fight anymore. So she gathered their swords and their silver buckles And out the door went she. For none could dance as long or strong As the lass from Anglesey The Dancing Lass from Anglesey. Oh, I wish that it were in modern times A battle could be fought, and yet none would be killed. The champion would be chosen by a dancer’s skill, And not by the measure of most blood spilled. |